I shut my eyes against the bright morning light that kept poking at my dozy awareness like a pin pricking skin. Darkness, I decided, would give me a hint of rest. Possibly a slice of cold solace. The sounds of the train would still be rackety clear, but at least the blackness would allow a moment or two of restless, indifferent sleep.
But with closed eyes came a closed conduit. Blackness was not getting in. Instead of dark I saw bright, magnetic red, the shade of blood, of ripe apples, of cherries freshly picked from trees higher than most. That dizzying effect that comes when various shades of light blend and merge with one another. Soon the redness allowed in other small, precise holes of green and blue, purple and green, each tone fighting for attention. I could open my eyes once again and allow the light to be the wide yellow of a Japanese dawn, but I wanted to watch these colours do their dance. I desired some gravity and grace to my workday blah.
Soon that old saw began grinding back and forth across the easel of my brain, the notion that the dream life is the true life, and the waking realm the false facade. Why were the lights behind one's eyelids so strange and mystic, almost independent creatures colliding in misshapen blobs of attachment and separation, whereas the light of the sun so often seemed so blunt and aloof? If sleep life is real life, perhaps the colours it creates also have a validity that we can only imagine, then dismiss, in the cold, blunt blue of a June morning in the grey city.