Friday, October 15, 2010

June 2, 1962

An old musty book will always have charms, but one whose front page has a date handwritten in ink wields a strange special power that yanks me back to a past. Not my past. Not your past. Somebody else's past. That person who owned this same book that rests in my hands once had a strong urge to mark and reflect on a time that is dead. Days long ago can't help but die out like a species whose end is unfortunate but still real. Time takes everything, eventually.

June 2, 1962.

That's the day in red ink that is written on the first fresh white page of an old copy of D.H. Lawrence's Women In Love I picked up in Baguio a few weeks ago. In neat, legible script. A women's script, is what I'm thinking. Some stranger who I'll never meet once had a new book, and wanted to write that day down for some reason that's lost.

I'm already mourning. Who, I'm not sure, and what, I don't know. My father was thirteen, almost fourteen years old on that day. My mother not much older. Me, not yet here. It was a day that I'm sure had some sunshine to lighten one's mood. The book's owner was looking for a something quite serious. You don't dip in and out of D.H.Lawrence. I hope he or she found what was needed and wanted.

1962! The Beatles were not yet the Beatles we know. John Kennedy was still alive with the hope of all hopes. The moon was a crater we'd not yet embraced. Vietnam just a country, and a far away one at that.

Oh, I wish this woman had jotted down her first name, and not just the date. (In my mind she's a woman, young and carefree, her school year all done, the summer arrived with a blaze of bright sun.) She may still be out there, this woman. If she was, let's say, twenty at the time of her short simple jot, she now would be sixty-eight years old, with most of her life already lived and endured. She is no longer young, but I can imagine, today, at this moment, she is reading. In her bed. On the couch. Content. Anonymous, but alive.

As I type these words on this screen, quickly, in order not to forget what I so want to say, I hope she feels a strange twinge in her head or her heart. A jolt from her past, from her hand in mine and back once again. That same hand that held a red pen with a strong central grip. An odd psychic shock may give her a zap. Women In Love, she'll think. Why, I haven't thought about that book in quite some time.

And then she'll stand up and stretch and pour her parched throat a good glass of water. Just a thought, passing. But enough of a moment to link us somewhat. That book is still here, I hope that instant can whisper, not in words but in essence . It's still here, and so am I, and so are you.

Wednesday, October 06, 2010

WE ARE ALL STEVE MARTIN'S ORIGINAL AUDIENCE (IN THE COSMIC SENSE)

In Steven Martin's wonderfully entertaining and insightful (as the critics might say) memoir Born Standing Up, he discusses the origin of his early stand-up routine, a performance that left the audience more than a little puzzled, if not pissed. Martin had once learned in a university class that the punchline of your classic joke was designed to relieve the tension that had been built up through the telling of the tale; Martin's genius was to ask: What if you didn't release that tension at all? Told punchline-less jokes, in other words? Today we're used to comedy that comes in various abstract, even unfunny forms -- but Martin was one of the first to make jokes that were so bizarrely unfunny, in the conventional sense, that they thereby reached a whole new level of hilarity that had never been truly seen, nor attempted, in the western world. He pulled our legs, and it took us awhile to figure out what, exactly, he was yanking, and why.

Which gets me thinking: Is God doing the same thing?

Perhaps we -- meaning us, the world, the galaxy, the universe, space and time and all its divergent variants -- are merely a joke without a punchline. All of our searching leads back to ourselves. Most of are yearnings are left unfulfilled. We have learned more about science than any other culture in the history of humanity, yet the divide between believers and rationalists has never been wider. Everything is separated.

Most of our thinking is that of the traditional-joke variety: we set up (or are given), a scenario, and we follow it through to its inevitable conclusion. The result is usually not funny -- but it's always there. The test is taken, the score comes back. The vows are made, the marriage is legal. The punch is thrown, the cops are called. Cause, effect, period. The result may make us uneasy in the deepest parts of ourselves, but we are given an ending that decides things for us.

Except.

That greatest of endings, our lives, remains a mystery. The final punch-line we're waiting for, dreading, longing for, evading. A great joke is all about withdrawal, withholding, not giving up the treasure we hold dear, so perhaps the last moment of life will leave us in stitches.

I wonder.

What if we're all part of a grand cosmic scheme whose plan is in part a joke left untold? We may be Steve Martin's original audience, writ large, for eternity. Waiting for the gag to begin. Bewildered when we realize that the act has not only begun, but it's over, and the headliner has already moved on to the next puzzling bit. Time is so relative that even a god may contain within his pinky finger a span of light years that passes for him in the length of a piss. Perhaps this god is telling a joke whose answer, when (of if) it's revealed, will puzzle us even more than we're puzzled already.

I just hope that it's at least a little bit funny.